M. Yu. Lermontov presents us the main character of the work of Pechorin, as a person with typical features of his era. He is rich, handsome, not stupid, but has a drawback: he is constantly ironic over everyone. This character trait does not make it possible to acquire friendly relations, although he himself does not want this.
Despite the fact that at first glance Pechorin may seem like a cruel and soulless person, he still has romantic traits character.
They can be seen, for example, when he communicates with Vera. But although Vera was his true love, he constantly caused her pain and suffering, just like he did to someone he did not love, for example, Mary. Pechorin could not sacrifice himself for his love, as Vera did, so he was doomed to a sad outcome of their relationship.
Pechorin is such a person who cannot find his place, he constantly opposes himself to society, he is alienated from it. He cannot direct his strength and skills in any direction that would bring him good. Perhaps that is why he is doomed to a lonely and unhappy fate. As Pechorin Maxim Maksimych himself said: ".. I have an unhappy character: did my upbringing make me like this, did God create me that way, I don’t know; I only know that if I cause misfortune to others, then I myself am no less unhappy .."
Updated: 2017-06-06
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In the lyrical-psychological novel "A Hero of Our Time" M. Yu. Lermontov aims to fully convey the character of the protagonist and the reasons for his failures. Grigory Alexandrovich Pechorin finds himself in the Caucasus because of some regular "story" that happened to him in St. Petersburg. His life confronts him with the most different people from different sectors of society and fields of activity. Throughout the work, the character of the hero is tested in love, friendship and emergency situations.
We see that his relationship does not add up, and his personal life makes him sad. Pechorin is characterized by the inconsistency of character, and the author also attributes to him a considerable share of egoism and skepticism. But its main enemy is still boredom. Everything he does is just to somehow fill his spiritual emptiness. Despite the fact that the hero is endowed with courage, willpower, high intelligence, insight, vivid imagination, a special form of morality that is peculiar only to him, he lacks spiritual warmth.
He treats friends either coldly or indifferently, giving nothing in return. Women are all the same for him and make him bored. Pechorin has rich experience in communicating with the opposite sex, and only one woman managed to keep his attention for many years. This is Vera, with whom fate again pushed him in Pyatigorsk near the Ligovskys. Despite the fact that she is married, seriously ill, she still devotedly loves Gregory with all his shortcomings. She alone manages to look into his vicious soul and not be afraid.
However, the hero did not appreciate this devotion either, so at the end of the story, Vera leaves him, and with it, faith in life, faith in a bright future. We see that the hero of Lermontov is deeply unhappy. This is a person who does not know how to love. He would like to, but nothing. In parting, Vera tells him that "no one can be as truly unhappy as he is," and in this she, alas, is right. In the Caucasus, he made other attempts to get close to women, but they all ended tragically.
When you get acquainted with the plot of the work "A Hero of Our Time", you completely involuntarily stop your attention on psychological portrait the main character Grigory Alexandrovich Pechorin. After all, he is an outstanding, very complex and multifaceted personality of the 19th century. It seems that it is in it that the author presents himself, his vision of the world, his attitude to friendship and love.
Vera
However, the hero still had strong feelings and affection for the girl Vera. It was some kind of unconscious love in Pechorin's life. An essay on this subject should indicate that she is the only woman he could never deceive. His love brings her a lot of suffering, because she is a married woman. They had known each other for a long time, and their chance meeting again made them feel an irrepressible passion for each other. Vera is cheating on her husband. Love for Pechorin took many years. He just wrecked her soul.
Late revived soul
Only when Pechorin lost her forever did he realize that he loved only one woman in the world. He searched all his life, but the realization came to him too late. The hero will say about her: “Faith has become dearer to me than anything in the world - dearer than life, honor, happiness!
It is in this episode that the hero Pechorin is fully revealed. It turns out that he also knows how to love and suffer, is not always cold and insensitive, prudent and cold-blooded. He begins to dream, his soul has come to life in him, he wants to make Vera his wife and go away with her somewhere far away.
Love in the life of Pechorin. Composition grade 9
All the women who encountered Pechorin became his unwitting victims. Bela was killed by the highlander Kazbich, Vera died of consumption, Princess Mary is also doomed, as she lost confidence in people. They all truly loved him and behaved very sincerely and with dignity when he rejected their love. And Pechorin himself was not capable of deep feelings, so he did not get what he wanted from life. Perhaps if he learned to love, he would be happy.
Love could not play an important role in Pechorin's life. The essay (short) on this topic is exactly what it says. He comprehended this feeling only when he lost a loved one forever.
(314 words) The novel "A Hero of Our Time" is considered a transitional link between romanticism and realism in Lermontov's work. In it, the author diagnosed his generation with restlessness, a disease of the soul. The hero of that time is Pechorin - tired of everything, a slightly cynical person who hides his tortured heart under the guise of detachment.
In his main character, Lermontov portrays a representative of a thoughtful, aloof, but talented and capable youth, whose image many writers have sought to convey, but few have ever surpassed. Guided by the author's candid narrative, the reader follows Pechorin through a series of dramatic adventures in which gamblers, smugglers, Circassian partisans, and pistol-wielding duelists play their parts. Page by page, with unerring psychological insight, Lermontov reveals his protagonist as a master manipulator who plays both men and women. With heartless indifference, Pechorin takes pleasure in the unrest and suffering of others, as his "exploits" destroy the lives of many characters: Bela, an innocent Circassian girl whom Grigory buys for a horse; Grushnitsky, a madly in love cadet whose romantic hopes are pinned on Princess Maria Ligovskaya, a fragile, beautiful young woman. Struck by his own destructive power, Pechorin tries to comprehend both his motives and his fate, but all to no avail. In his radical egoism, Pechorin fascinates and repels. He is both a vile crook and, according to Maksim Maksimych, "a wonderful person, only a little strange."
Why is this man a hero of his time? Firstly, because he is an idle nobleman who has not found himself a worthy vocation. Almost all young people of that era, surrounding Lermontov, fit this description. He himself was like that. Therefore, all the problems of Pechorin are what worried all the thinking young men who were lost in the boundless tsarist Russia. Secondly, because Gregory follows the fashion for romanticism, which ascribes to all "exceptional" people to drive themselves into anguish, wander around the world and not burden themselves with either work or family. At that time, many readers professed this way of thinking. Pechorin is drawn even in front of him, and the author condemns this desire to fit life into a beautiful template. Thus, the hero of Lermontov really personifies a whole generation, because all the features characteristic of him were embodied in him.
Interesting? Save it on your wall!Pechorin is in the full sense of the word a child of his era, part of a generation disillusioned with life, incapable of action, lost in the crucibles of Russian history.
Pechorin - "child" of his time
His generation will sink into obscurity, leaving nothing significant behind. The reason for this tragedy lies in complete indifference to the problem of good and evil, inability to love, spiritual emptiness. Inability to have genuine feelings is a tragedy and guilt of Gregory.
He perceives love as an inexplicable need, but the hero does not want to let this feeling into his soul. Grigory Alexandrovich is used to getting everything he wants, not realizing that someday there will be retribution for everything he has done. For his restlessness, he pays with complete loneliness, emptiness in his heart, causing pain or death to those whom he could love at least a little.
Pechorin and Bela
Grigory noticed the beauty at the Circassian wedding ceremony, she immediately fell in love with him. Pechorin is used to getting what he needs. In fact, he didn’t even steal the Circassian woman, but exchanged it for a horse. Maksim Maksimych tried to reproach him, but main character shrugged off any accusations. But was his love real? When he sought reciprocal feelings, he told the girl that he was ready to die if she did not love him.
Maxim Maksimych believed that under the guise of playful threats there was a real readiness to refuse own life. But did Grigory Alexandrovich realize that his feelings would not last long? At the end of this romantic story, he came to the conclusion that he was mistaken again, and the love of a savage is no different from the similar feelings of an aristocrat. For his mistake, Bela was forced to pay with her life.
Relations between Princess Mary and Pechorin
After the first meeting with Princess Pechorin, he was glad that fate had given him the opportunity not to be bored on the waters. And it really happened that no one had to be bored: neither Grigory Alexandrovich, nor the princess, who hardly managed to forget about the events she had experienced. Pechorin began to court the girl in order to annoy Grushnitsky, but unexpectedly takes a great interest in her.
The protagonist realizes that during the explanation with her, he was ready to kneel, but deliberately pushes her away, confessing that he laughed at her. Grushnitsky compares his words about beautiful girl with the characteristics of English horses.
Of course, for Pechorin, such words are a joke in friendly communication, he deliberately speaks so cynically about the princess, whom his good friend drew attention to. But his words about contempt for women deserve close attention. They trace a sincere contempt for women, which is hidden deep inside Lermontov's character.
Faith is Pechorin's only love
Despite his opinion about the opposite sex, the hero still meets the one who evokes real feelings in him. Gregory hurts her, his cynicism in relations with her does not disappear anywhere.
It seems that Pechorin himself is experiencing a withering jealousy. When Vera leaves him, probably forever, the hero admits to himself that she has become for him the dearest person in the whole world.
Pechorin drove the horse, trying to catch up with her, lay motionless for a long time, not holding back sobs and not hiding tears. But even the pain of losing a loved one could not heal his crippled soul. His pride remained the same. Even in moments of tragic experiences, he assessed himself as if from the outside, believing that outsiders would despise him for his weakness. The question remains, how long would Grigory Alexandrovich's feelings have survived if Vera had remained in the city?
He is well aware that he does not know how to truly love, he cannot make any woman happy that he “loved for himself.” Lermontov's character seems to absorb the feelings of others, enjoys their pain, perceives their dramas as entertainment. He perceives love as a cure for longing, as a way to assert himself.
Grigory Pechorin does not want, and is not able to love, open his heart, without subjecting his feelings to severe introspection, he cannot give himself without a trace to another person. This is one of the main reasons for his inner tragedy and deep loneliness.